A Culture Curated Through Cardboard and Cloth


By Zaevior Byrd-Watson

When you’re in a conversation about architecture, your brain immediately goes to metals, stones, or other generic foundation materials. Nobody expects to hear that someone is using paper tubes and cardboard to create living spaces. Going to the Japan Information and Culture Center (JICC) on July 10 was very eye opening. The speaker during the first part of our program was Gabrielle Headly, who we had met earlier in the program, and who now guided us through the exhibit and shared the history behind Shigeru Ban and his peculiar building ideas.

Ban’s style of architecture was an interesting one, beginning back in 1986 with experimentation, and humanitarian aid beginning in 1995. During that time, he worked on his first major project: designing low cost, easy to build houses out of paper tubes for Japanese disaster victims following the Kobe, Japan earthquake. These homes, despite being built of a widely known fragile material, were very sturdy, and allowed for sustainable living.


Ban’s style is a very intriguing one to me, because who thought one man could put together a whole organization solely for disaster aid, let alone with paper and cardboard?? Shigeru Ban is a huge inspiration for me to innovate and be more creative with my works, and I’d love to research more about him.

Something I’d like to briefly talk about is his Paper Partition System, used in Noto, Japan following their earthquake in 2024. The Paper Partition System provided privacy and homes for families who were victims of the earthquake. These systems were deployed all over workplaces, gyms, and community centers, allowing many people to be guaranteed to have a safe place to live while dealing with their circumstances.


Being an extension of Ban’s already innovative paper log houses, the PPS was already majorly impressive, garnering respect from not only the citizens of Japan, but many humanitarian aid organizations as well. Shigeru Ban was and still is an impressive architect, and his influence is still around today, you just have to look for it.

Thank you for reading my blog post,

じゃあまた (˶>⩊<˶), Zaevior

Tanabata Festival


By Liam Truesdale

On Thursday evening, July 9th, we went to a Tanabata Festival, also called the Star Festival, as part of an extended workday. The Tanabata Festival actually originates from the Chinese Qixi Festival. Tanabata means “evening of the seventh,” and celebrates the meeting of the deities Orihime and Hikoboshi. Tanabata is celebrated by writing a wish on a piece of paper called tanzuku and hanging it on bamboo. 

In DC, the Tanabata Festival, sponsored by the Japan America Society of Washington DC, was held at the Hillwood Estate near Rock Creek Park. There were a few activities like writing wishes and making lanterns. However, the part I enjoyed the most were the gardens, which were just a part of the estate. The nicest part was the section inspired by Japanese gardens. It was fairly small, but very beautiful. My favorite part were the paths that went through the water. 


In Japanese culture, these bridges have a deeper meaning, they represent a transformation. In Shinto mythology, bridges connect our world to the gods and spirits. The reason why they’re so arched is so evil spirits cannot cross over them, because evil spirits are believed to travel in straight lines only.

It felt amazing going through the gardens after walking around by the monuments all day, cleansing even. I had a headache when we arrived at the Tanabata Festival; after I went through the gardens it was completely gone. It had just stopped raining when we got there, so it started to get foggy. The second time I went through the gardens, the fog was at its thickest, and the clouds had parted just enough for the sun to shine through. We could see the rays of light shining through the trees, the only word I could use to describe it was mystical.



One Day, One Attack


By Blessing Maya

One day, one attack
Changed the lives of many people.
Many stories began, and many dreams came to an end.
Many lives were lost. Many did not know why.
Many died. Many fought for what was right.
Many could not fight.

I would send you many paintings,
The day you would no longer see me as an enemy.
I would place flowers at your door,
The day you would no longer see me as an enemy.

The children did not know they were trapped,
Living inside invisible prisons.
Born here, yet treated as strangers in their own land.
Japanese by heritage, American by birth,
Misunderstood, yet they stood strong.

Don’t hurt your own family
Just because their roots come from another tree.
Their roots are here too,
Just like yours and mine.

From the ashes of war, a new dawn rises.
Two nations, once divided, grow closer.
Cherry blossoms bloom beside the Tidal Basin,
As symbols of peace, friendship, and hope.

Together we stand across the ocean wide,
In friendship and hope, side by side.

A Visit from Gabrielle Headly

By Pippa Byron

Last week, Gabrielle Headly, an employee at the Japanese Embassy’s Japan Information and Culture Center (JICC), came to visit us and talk about her experience with studying Japanese culture, studying abroad in Japan, as well as her life’s career path and how Japan has influenced it. Gabrielle’s story ended up being really interesting to me because not only did she go to Japan, she intertwined it in her life and learned many skills and lessons during her time there.

Gabrielle started by explaining how she was first introduced to Japan through its pop culture. She said that as someone of Caribbean descent, she could feel that Japanese culture was very different to her own, which intrigued her. This led her to self-study Japanese for a while. Later, as a high school graduation present, Gabrielle went to Okinawa, Japan, where her uncle worked on an American military base. This trip was a great experience for her, and she decided to continue pursuing her love for Japanese through minoring in Japanese in college. 

In her Junior year of college, Gabrielle spent a semester studying abroad in Osaka, Japan. She said Osaka was a very fun city to live in and the university she went to, Kansai Gaidai University, was a great place for cultural exchange, being an international school. After spending this extended period of time in Japan, she realized she wanted to live there. She greatly appreciated the sense of safety she felt in Japan and the vibrancy of the culture.

To pursue her dream of living in Japan, after graduation, Gabrielle decided to apply to the JET program — a program that connects Americans to English teaching jobs in Japan and arranges their stay there. Gabrielle was accepted, and was sent to a small town in Oita prefecture. Upon her arrival there, she was surprised to find out that the town was largely art-focused, and that most of the people and establishments there were related to different art forms. Gabrielle had previously mentioned to us that pottery was one of her biggest interests even back in the U.S., and she had done a lot of work and classes related to pottery. So, along with her teaching work, she was “adopted” into a ceramics store, where she did pottery and was introduced to the Japanese art of Kintsugi, which is a technique that uses gold to fix broken pottery. Along with becoming invested in her community, she also got to travel a lot and see different areas of Japan.

Later on, she decided to end her teaching contract with JET and continue to live in Japan on her own. She moved to Fukuoka, a larger city, where she studied pottery and got officially certified in Kintsugi. Here, she met a lot of interesting people with unique interests such as punk music, and made lots of great friends. Gabrielle told us that she had had a bit of trouble in Japan regarding her hair, as people in Japan often didn’t know about black hair and assumed she had gotten a perm or that her hair was messy. However in Fukuoka, she happened to meet and become friends with a hairdresser who was interested in learning how to work with black hair, which became mutually beneficial for both of them. Meeting so many people she connected with on a deep level was one of the best experiences Gabrielle had in Japan, and she is still friends with them to this day.

In 2023, Gabrielle decided to move back to the U.S. She found out about a job opening at the Japan Information and Culture Center involving their exhibitions. She realized this would be a great position for her, as she loved the idea of being able to teach others about Japanese culture. She eventually became the exhibition coordinator at JICC, and she’s able to put both her creativity and her knowledge of Japan into her work. She even has an upcoming exhibition about Yōkai, which are supernatural entities in Japanese folklore, and we’ll have the opportunity to see it soon!

To me, Gabrielle’s story was extremely inspiring for a few different reasons. To begin with, I thought it was amazing how Gabrielle took Japanese, which was just a hobby at the beginning, and turned it into a lifelong journey of experiences and career opportunities. I am still having trouble figuring out exactly what I want to do in the future, and seeing that it’s possible to find a job that connects so strongly to your interests was really enlightening to me.

Also, I really enjoyed hearing about her experience connecting with different communities throughout Japan and finding lifelong friendships. As someone who also wants to go abroad in the future, I’ve heard a lot about people living in a different country than theirs who struggle to integrate socially because of vast cultural differences. But Gabrielle’s story proves that finding shared interests with others, as well as engaging in community activities and traditions, can foster a sense of belonging and build new friendships no matter how different a place’s culture is. Moreover, I thought that it was great that even though Gabrielle was away from the U.S., she was able to continue pottery, a hobby that she loved, and study Japanese styles of pottery, an experience that she wouldn’t have gotten in the U.S.

Lastly, I liked that Gabrielle had tried a lot of different things before settling down in her current occupation, like teaching and moving to different places. I think that it’s often good for people to experience and try a lot of different things in life before settling down, instead of just going down a straight line to one job or living situation, and I also hope to try a lot of things just like Gabrielle. Gabrielle’s current position also highlights one of the benefits of living in D.C. As the capital of the U.S. where all the embassies are, there are a lot of opportunities related to world cultures and diplomacy. As someone who’s really interested in both, it made me realize that I should take as much advantage of living here as I can. 

Altogether, it was an inspiring story of following one’s passion, and I think all of us learned a lot from it, and I’m excited to visit Gabrielle at the Embassy of Japan and learn more about her work!

From Presentation to Nutrition: What I Learned

By Malia Butler

Onigiri is a handheld snack made from steamed rice, typically formed into a triangle ball or a shape of choice and often wrapped in nori (seaweed). A bento box is a single-portion meal, either homemade or store bought, packed into a container portioned off. Onigiri and bento boxes are well known in Japan. When I made bento boxes and onigiri for the first time, I learned that presentation is key. In Japan before people eat, you have to appreciate the presentation of your food, by looking at the decorations and the thought put into it. “Before eating you have to eat with your eyes,” which is what Ms. Miwako Felix said from the “Table for Two” organization. Another thing that I learned is before eating a meal you have to say “itadakimasu,” and after a meal you have to say “gochi sou sama deshite.” The reason they do this is to show appreciation to farmers, vendors, and cooks.

Something that I learned that affected me personally is that when making bento boxes they focus on nutrition. When making bento boxes, every meal has to be balanced, so in order to do that they use the 3:2:1 ratio. For the 3 part, this is used as a base. People often use it for steamed rice. For the 2 part, this is used as a main dish, usually meant for a various amount of protein. For the 1 part, this is used for a side, often used for different types of vegetables. Both the 2 and 1 part of the ratio can help with keeping someone energized throughout the day, because each have a specific amount that can keep you energized. Based on this experience, I learned how to make a balanced meal. This can help me on my daily life, because as an athlete it can help me to have energy for sports.