By Alexx Thompson
Outside of our lovely Japanese Plus class, I went on a field trip to New York with my school! I go to an arts training school, Duke Ellington School of the Arts, which prepares us to work as an artist in the professional field, and there are various arts training departments you can audition into. I’m in the Visual Arts major/department, which means I learn a variety of art skills such as painting, sculpture, animation, drawing, and printmaking. Our first trip of the year was to the Frick Collection, as well as the Metropolitan Museum of Art (the MET).
Unfortunately, the moment I arrived in New York I had fallen ill, and could no longer keep up the enthusiasm I’d had prior to boarding. With great reluctance, I had to let my friend join a different group so I could leave the group to go get medication, and thus missed a great deal of the first museum. Luckily I was able to rush through it, although not to the extent I would’ve liked.
Still unwell, I made my way over to the MET, and had lunch, that was ridiculously overpriced, and overwhelmingly bland. However as I was ill, I didn’t really have any care for what kind of food it was. With new energy and my illness finally subsided, I’d returned to my earlier plan. The MET had an Asian art gallery, and I was determined to see the Japanese collection. I was beyond delighted to find a MET guide in Japanese, and used that to guide me. Not only that, I was more than happy that I could actually understand it enough to use it to get there!
Now that I was in the hallway leading to the exhibit, my excitement heightened as I admired modern Japanese pottery on display, noting the beautiful craftsmanship and effort put into it. My mother, who was accompanying me as a chaperone, was perplexed at the sight of one pot, exclaiming that it didn’t look as neat as the others. I thought about this for a moment before remembering the concept of wabi sabi—something I’d learned about in Japanese class—and explained to her that it was likely the artist’s intention for it to be that way. Or rather, nature’s intention if you will.
We finally headed into the exhibit and I was interested in the Chinese and Korean exhibits; however the exhibit for the Korean gallery was small, but still very nice. I also had recently become fascinated with the Chinese exhibits since at the time I’d started to read a fictional history/fantasy Chinese novel, and could now visualize what kinds of things the author drew on to create that novel.
As I exited the Chinese exhibit, I noticed two glass doors and atop them was a title reading: Sackler Wing Gallery! Now where have I heard that name before… None other than the Freer-Sackler Gallery of Asian Art! Thus I knew I’d found the Japanese exhibit and pulled open those doors to reveal a glistening beautiful glass statue of a deer. I gasped in awe and quietly made my way around each art piece, carefully examining each one, as well as the writing on pieces to see what I could decipher.
In many places there were very meticulously put together traditional rooms depicting historical architecture and interior design, or small enclaves displaying cooking pans and pots on tatami mats. My personal favorite however, was a large rock. To be more accurate, a fountain disguised as a large black stone. This is the Water Stone, created by Isamu Noguchi. Upon looking at the stone, I first thought it to only be rather shiny, but then I noticed the faint sound of water and realized that there was in fact, water flowing seamlessly over top the stone! It was very calming, and since the exhibit itself was quite silent, I simply sat there and enjoying sitting by it for a while.
Finally, I left the exhibit after looking around at all the pieces, and wandered around the museum until it was time for us to depart. Please do take time to visit the MET though, if you’re interested in Asian art, as their selection is gorgeous!